{"id":313,"date":"2005-04-28T19:55:45","date_gmt":"2005-04-28T23:55:45","guid":{"rendered":"http:\/\/shermandorn.com\/wordpress\/?p=313"},"modified":"2005-04-28T19:55:45","modified_gmt":"2005-04-28T23:55:45","slug":"paulo-freire-and-the-chic-cultural-capital-of-academe","status":"publish","type":"post","link":"https:\/\/shermandorn.com\/?p=313","title":{"rendered":"Paulo Freire and the chic cultural capital of academe"},"content":{"rendered":"<p>I&#8217;m on the committee of a graduate student just getting into <a href=\"http:\/\/www.paulofreireinstitute.org\/ss_freire-eng.html\">Paulo Freire&#8217;s work<\/a>, and that brings back memories.  I remember reading Freire&#8217;s <cite>Pedagogy of the Oppressed<\/cite> (1970) when I was sixteen, and it was an early, &#8220;Oh, I can read that&#8221; experience.<\/p>\n<p><!--more--><br \/>\nI was visiting my sister&#8217;s intro women&#8217;s studies class at UC Santa Cruz (Eileen called it her baby-feminism class), and the lecturer was discussing the sociology of knowledge (though she didn&#8217;t call it that) and mentioned Freire&#8217;s book.  <em>Cool<\/em>, I thought, and when my mother and I hit a bookstore later that day, I convinced her to buy a copy for me to check out. Then, over the next few days, I waded through it (and those who have read the book know what I mean!).  I was fairly sure I got the gist of his  repressive-education-as-banking theory, though I did have the sense that he could have explained it more clearly and in about a quarter of the length.  This was lesson #17 in the Socialization of an Academic:  you, too, can read dense obfuscatory prose using the Force and the confidence that you can grasp the central concept with enough concentration&#151;assuming, of course, that there is a central concept.<br \/>\nThat confidence stood me in great stead in graduate school and since, but it was somehow disillusioning.  Was there nothing to this work (whatever the work was) except a fairly simple central idea camouflaged by a few dozen thousand words of verbage?  The generally dense style of postmodernist\/poststructuralist\/deconstructionist writers was not the only thing that made me wonder what made a work famous.  There was also the wild-eyed tone of some authors (Michael Parenti, Noam Chomsky) who were minor bestsellers at the independent bookstore House of Our Own Books where I spent a few hundred hours behind the cash register.  And then the pre-Civil War reading seminar where the prof casually explained why certain books won awards (&#8220;oh, shoot, the paperback of this omitted all the color prints; that&#8217;s really why Bailyn won the Bancroft Award&#8221;).  So I&#8217;m occasionally cynical about effusive praise of Big Men\/Women on a Campus (and positively scared for the world when anyone treats me as if I have <em>gravitas<\/em>).<br \/>\nSo when this student writes several adulatory paragraphs on Freire, I&#8217;m tempted to shout, &#8220;But don&#8217;t you realize that Freire is now just chic cultural capital for Leftist academics??!!&#8221;  But if I did, I&#8217;d be denying the student the chance to come to an independent judgment.  Our committee needs to clue this student into the <a href=\"http:\/\/www.uow.edu.au\/arts\/sts\/bmartin\/dissent\/documents\/Facundo\/index.html\">thoughtful criticisms of Freire&#8217;s work<\/a> but subtly.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m on the committee of a graduate student just getting into Paulo Freire&#8217;s work, and that brings back memories. I remember reading Freire&#8217;s Pedagogy of the Oppressed (1970) when I was sixteen, and it was an early, &#8220;Oh, I can read that&#8221; experience.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-313","post","type-post","status-publish","format-standard","hentry","category-random-comments"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pag0MB-53","_links":{"self":[{"href":"https:\/\/shermandorn.com\/index.php?rest_route=\/wp\/v2\/posts\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shermandorn.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shermandorn.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shermandorn.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shermandorn.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=313"}],"version-history":[{"count":0,"href":"https:\/\/shermandorn.com\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions"}],"wp:attachment":[{"href":"https:\/\/shermandorn.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shermandorn.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shermandorn.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}